A Prop, a Bodysuit, and a Star Who Moves the World

In an industry saturated with flashy sportswear endorsements and formulaic campaign aesthetics, Swiss athletic label On has achieved something refreshingly original—an avant-garde cinematic campaign starring Zendaya, titled “Zone Dreamers.” It’s a fever dream of surrealist storytelling, retro-futuristic visuals, and theatrical costume design. The most talked-about moment? A prop: a punching bag filled with cereal flakes.

Yes, cereal flakes.

It sounds absurd. And it is. But within the visual universe created by director Nadia Lee Cohen and stylist Law Roach, this unexpected detail becomes a symbol—one of transcendence, freedom, and playful rebellion against the performance-wear status quo. At the center of it all, Zendaya wears On’s new Studio Knit Bodysuit in a muted olive tone called “Caper”—a form-fitting yet featherlight innovation designed with no seams, no chafing, and no distractions.

This is more than a celebrity-fronted campaign. It’s a performance. A philosophy. A glimpse into how fashion, movement, and narrative collide when athletes aren’t just running—they’re dreaming.

A CINEMATIC UNIVERSE IN MOTION

“Zone Dreamers” isn’t just a title—it’s a thesis. Inspired by the idea of achieving mental clarity through physical movement, the campaign plays out like a fictional film trailer set in a parallel universe. Think Barbarella meets Blade Runner on a yoga retreat. Zendaya appears not just as a model or actress but as the architect of a dreamy mission to explore unexplored zones—both planetary and psychological.

Shot through a highly stylized lens by director and artist Nadia Lee Cohen, the visuals reflect her signature aesthetic: sculptural lighting, analog textures, vintage sci-fi references, and a wash of saturated color. Cohen, known for her surreal work blending fashion and cinema, layers this On campaign with narrative intrigue—no doubt encouraged by Zendaya’s deepening Hollywood profile and producer instincts.

In one scene, Zendaya jogs through an otherworldly desert. In another, she confronts a speed bag—a classic training tool—reimagined here as a transparent sac filled with cascading cereal flakes. Every punch scatters flakes like confetti. The symbolism is quietly brilliant. What’s more human than channeling stress through motion? What’s more whimsical than packaging that release in childhood nostalgia?

Zendaya doesn’t flinch. She grins and leans in.

THE “CAPER” STUDIO KNIT BODYSUIT

At the heart of Zendaya’s look is the On Studio Knit Bodysuit in Caper—a soft, olive-green tone that evokes natural terrain and serenity. The fabric is a proprietary fine-knit material designed to stretch with the body without losing structure. No seams. No chafing. No distractions.

While the visual direction leans into hyperreality, the bodysuit grounds the campaign in On’s core promise: technical innovation for real movement. Made for everything from dance to high-performance training, the suit is the kind of piece that disappears once worn. It hugs, flexes, and breathes like skin, enabling wearers to focus fully on whatever ‘zone’ they need to enter.

Zendaya’s movements are fluid, deliberate, and never restricted. Whether crouched in a sci-fi control center or sprinting through a dreamscape, the Studio Knit Bodysuit performs silently beneath the surface. It doesn’t scream. It flows.

In this way, “Caper” becomes more than a color. It’s a tonal metaphor—earthy, calm, and quietly confident.

THE ZENDAYA EFFECT

Zendaya’s collaboration with On is not a typical athlete-brand relationship. She isn’t a marathon runner or a tennis pro. But she’s something equally valuable to the On ethos: a figure of disciplined motion and artistic control.

As a dancer, actress, and icon of movement, Zendaya brings a nuanced understanding of body language to her work. She doesn’t just wear the bodysuit—she animates it. And as someone consistently on the go (from red carpets to production meetings), she embodies the versatility that On designs for.

The campaign also coincides with the 2025 premiere of Challengers, Zendaya’s sports drama directed by Luca Guadagnino, and Warfare, her newly released military drama. This alignment of physicality and performance is no accident. In many ways, her role in “Zone Dreamers” bridges the two spheres—athletic discipline and cinematic storytelling.

She isn’t endorsing gear. She’s co-creating a world.

NOSTALGIA AS PERFORMANCE ART

The cereal flakes boxing prop has generated buzz for its visual quirkiness, but beneath the absurdism lies a strategic nod to nostalgia. In a media age driven by meme culture and aesthetic microtrends, using a punching bag filled with cornflakes taps into something delightfully universal: childhood messiness.

In Zendaya’s hands, the flakes become fragments of memory, tools of release. The scene evokes a playful destruction of expectations. We’re conditioned to view boxing as a symbol of aggression or power. Here, it’s transformed into a meditative ritual—playful, absurd, and joyous.

What should be mundane (a breakfast cereal) becomes cinematic. What should be hypermasculine (a punching bag) becomes serene.

And in the middle of it all is Zendaya, clad in high-tech knitwear, making movement look like art.

TECHWEAR MEETS THEATER

From a technical standpoint, the Studio Knit Bodysuit is a leap forward in athleisure minimalism. Seamless knitting eliminates friction. Four-way stretch supports every kind of motion. Breathable fabric regulates body temperature. But in the context of this campaign, it also becomes a costume.

Nadia Lee Cohen’s set design includes spaceship interiors, hovering beds, and glowing landscapes—all of which require clothing that performs on-screen. This wasn’t about styling for static photos. The bodysuit had to withstand hours of shooting, intense choreography, and long takes under studio lights.

This intersection of techwear and theater is a growing trend in fashion. As more brands move toward immersive campaigns and digital storytelling, clothes must function both as utility and costume. On’s decision to spotlight a bodysuit—something often relegated to dance studios or yoga rooms—elevates the form to a stage-worthy centerpiece.

In short, it’s not just a bodysuit. It’s a character in the film.

COMMUNITY & ZONE MENTALITY

The “Zone Dreamers” campaign is ultimately about community. While Zendaya takes center stage, the campaign features a diverse cast of co-stars—each representing a different type of mover. Dancers. Cyclists. Boxers. Climbers. Together, they inhabit a utopian vision where movement builds collective confidence.

This aligns with On’s larger strategy in 2025: repositioning from a performance-first brand to a lifestyle one. The company has steadily grown beyond runners and triathletes, reaching creative professionals, students, and wellness seekers who prioritize comfort without compromising style.

“Getting in the zone” becomes a metaphor not only for physical flow, but for psychological readiness, emotional clarity, and community alignment. The campaign urges us to dream not alone—but in motion, together.

PARTFASHION’S NEW FRONTIER

Fashion campaigns have often relied on one of two formats: studio glamor or gritty streetwear realism. “Zone Dreamers” does neither. Instead, it offers something rare—a fantasy built on athletic truth.

It positions movement as aspirational without making it unattainable. It elevates the bodysuit from a utilitarian item to a futuristic uniform. And it places a Gen-Z icon like Zendaya at the helm—not for shock value, but because she understands the rhythm of intention.

The cereal flakes? They’re a wink. A signal that this campaign doesn’t take itself too seriously.

Because sometimes, you need a little surrealism to shake off the pressure of perfection. Sometimes, you need a soft knit suit and a clear space to move freely. Sometimes, you punch cereal.

And sometimes, you just dream.

Impression

The On Studio Knit Bodysuit in Caper is more than a garment. In this context, it’s a manifesto for clarity in motion, an emblem of quiet strength, and a sculptural anchor in a world of theatrical chaos.

Zendaya’s performance reminds us that movement isn’t just physical. It’s mental. It’s emotional. It’s cultural.

And whether you’re sprinting through the cosmos or just walking to your next meeting, a little comfort goes a long way. Especially when there are no seams. No chafing. No distractions.

Only motion. Only dreams.

Only On.

 

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