Nicolas Denney’s “Past Hopes for the Future”, part of the “Bookends” exhibition, critically engages with the concept of landscape as a transitional entity, driven by the natural processes of compression and erosion. Denney takes a round-the-world voyage as his subject, using it as a metaphor for the evolving relationship between land and time. The landscape, in his work, is not a static image but a dynamic process—formed, reshaped, and redefined by the elemental forces of nature.

Denney’s focus on materials in transition highlights the impermanence of landforms. Compression and erosion symbolize opposing yet interconnected forces: compression represents creation and the solidification of matter, while erosion signifies decay and disintegration. These forces together reflect the cyclical nature of landscapes, shaped by the tension between construction and destruction. The title ‘Past Hopes for the Future’ adds a poignant layer, suggesting that our expectations of permanence are inevitably disrupted by time’s passage. Through this, Denney not only reflects on the physical landscape but also on human aspirations, implying that the future, like land, is subject to uncontrollable forces.

Denney’s work challenges viewers to reconsider their perceptions of landscape and time, recognizing the fluidity and temporality embedded in both natural and human-made environments.

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