In “Gallons,” four voices spill from the barrel of Houston’s underground—Lil Jairmy, Sossaman, That Mexican OT, and Sauce Walka—each delivering a verse that doesn’t just ride the beat but drowns it in regional slang, lived experience, and street-coded poetry. This isn’t just a posse cut. It’s a fuel-soaked cipher drenched in Texas oil, pride, and pain.

From the jump, “Gallons” is a statement of volume. Not just in terms of quantity—though there’s a braggadocio in the title—but in intensity. Every line hits with weight. The production carries a dirty trunk-knocking bass line and choppy hi-hats that serve as scaffolding for the chaos. There’s no radio polish here. No synthetic polish. The grit is intentional.

Lil Jairmy leads with his trademark straight-faced delivery, painting portraits of pressure: the streets, the hustle, the eyes always watching. His bars don’t chase metaphors. They snap like a cold stare across a corner store. Jairmy is surgical—he raps like every word has a cost. Every line is measured. He doesn’t waste syllables. He’s building a legacy off survival and precision.

Sossaman brings a different energy—chaotic, unruly, and unpredictable. He’s the wild card, flipping cadence and voice like a switchblade. His presence cuts through the beat like a threat wrapped in humor. Sossaman’s contribution feels like controlled madness. He raps like someone who knows the rules but refuses to follow them.

That Mexican OT is the bridge between tradition and reinvention. His verses are Texas gospel—fast, dense, and dangerous. He spits with a mechanic’s precision and a poet’s rhythm, flipping between Spanish and English, slang and scripture. OT sounds like he was born rapping over screw tapes in a chrome-plated kitchen. He’s charismatic without trying. He flexes, but it’s never hollow—it’s rooted in craft.

Sauce Walka, the closer, does what he always does: elevates. His voice is louder, his charisma sharper, his metaphors stickier. He doesn’t just rap—he performs on wax. He’s theatrical, exaggerated, drenched in ad-libs, and yet—there’s substance under the sauce. He ties the track together with flair and authority. It’s his house, and everyone else is welcome, but only if they show up sharp. They do.

“Gallons” isn’t aiming for the top of the charts. It doesn’t beg for crossover appeal. It’s a time capsule of a moment in Southern rap where authenticity outweighs algorithms. Every feature is locked in. Every bar is heavy. The chemistry is real. This track isn’t clean—it’s raw, loud, unapologetic. It’s built for the streets, for car speakers, for people who lived what these rappers are spitting.

It’s not just “Gallons” of flex. It’s gallons of pain, history, and style—distilled into four voices and one relentless beat.

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