
An Artistic Evolution in a Tube of Gloss
Few artists command both the emotional honesty and stylistic power that SZA does. Over the past decade, she’s grown into one of contemporary R&B’s most introspective lyricists and visual stylists. But now, she’s channeling her distinctive aura into an entirely new lane: beauty. With the debut of her brand Not Beauty, timed to align with her co-headlining Grand National Tour alongside Kendrick Lamar, SZA is taking her creative instincts and layering them with a product that’s as personal as it is performative.
What better way to kick off a tour that spans the spiritual and spectacular than with the quiet reveal of something she’s been testing for months—right on her lips? SZA’s first launch, a trio of thoughtfully formulated lip glosses, is as much about embodiment as it is about enhancement. Worn at key moments like the Super Bowl halftime show and red carpet appearances, the glosses were hiding in plain sight, silently setting the stage for what is now a full-blown brand rollout.
“I Know Lips”: Intimacy Meets Industry
“I’m not a beauty maven,” SZA told Vogue in an exclusive interview. “But I know lips.” It’s a deceptively simple quote, much like the glosses themselves. In a landscape dominated by celebrity beauty ventures—from Rihanna’s expansive Fenty empire to Ariana Grande’s space-themed R.E.M. Beauty—SZA’s entry into the field is grounded in her own specific lens: close-to-the-skin comfort, raw sensuality, and a low-maintenance kind of glamour that invites intimacy, not perfection.
Each lip gloss shade in the Not Beauty trio carries the quiet certitude of something already loved. SZA confirmed she’s been wearing them for months, tweaking formulations with a hands-on approach. “I know what I like, and I’m diligent about finding the best quality ingredients,” she explained. “I wanted to fill a need with something that works for me and that I use daily.”
That ethos—intimate, driven by need, and unapologetically personal—is what makes Not Beauty feel like more than just a merchandising move. It’s an extension of her own aesthetic language. Her audience already reads between the lines of her lyrics and performances. Now they can wear a gloss that carries the same emotional undertones.
Naming What It’s Not
The name Not Beauty is both curious and telling. It’s not just a subversion—it’s a reflection of the contradictions SZA is interested in exploring. Much like her music, which swerves between self-assured declarations and whispery uncertainty, the brand name flirts with negation to carve out new meaning. It’s a statement on commercial beauty norms and the industry’s reliance on idealized perfection.
This resistance is consistent with how SZA presents herself in interviews and on stage—confessional, soulful, flawed in the most magnetic way. Not Beauty isn’t a rejection of beauty; it’s a challenge to define it on new terms.
Gloss as a Portal: The Trio
So, what’s in the first drop?
The three lip gloss shades reflect different aspects of SZA’s persona:
- “Haze” – A cool-toned mauve with a translucent, high-shine finish. Meant to evoke softness and twilight moods. This is the shade she wore during her whispered performance of “Kill Bill” at the Grammys.
- “Heat” – A sheer amber with golden flecks that catches light under stadium lights—first seen at her Super Bowl appearance. Bold but not loud.
- “Homegirl” – A deep neutral brown that sits comfortably between casual and sexy. This one’s been quietly peeking out from selfies and behind-the-scenes tour clips.
The glosses come in understated packaging—slim matte tubes with minimalist typography, no flashy ornamentation, just enough weight to feel special in the hand. Vegan, cruelty-free, and made with sustainably sourced butters and oils, they’re designed to nourish as much as dazzle.
Behind the Brand: Risk, Trust, and Willingness
If the brand feels organic, it’s because it reflects the larger themes of SZA’s personal journey. “Following your passion and letting it lead you, and letting the story develop itself by following the throughline of risk, trust and willingness is literally what my entire life and career has been about,” she told Vogue.
Those are more than just brand values. They’re SZA’s artistic pillars. From her delayed but triumphant release of Ctrl in 2017 to her Grammy-winning SOS album in 2022, SZA has never taken a linear route. She’s taken risks with sound, leaned into emotional complexity, and trusted her instincts in a way few mainstream artists do.
Not Beauty is yet another extension of that blueprint. It’s the physical residue of a process-driven artist—one who’s interested in the human beneath the glamour, the hydration beneath the sheen.
Strategic Timing: The Grand National Launch
The decision to launch Not Beauty in tandem with the Grand National Tour is as shrewd as it is symbolic. Co-headlining with Kendrick Lamar, a longtime collaborator and fellow genre-bender, gives SZA a massive platform to not only share her music but also share this new dimension of her brand.
Tour merch tables are already expected to feature Not Beauty pop-ups, giving fans a direct, tactile experience. Limited-edition gloss duos in custom packaging tied to specific tour stops (rumored to be named after cities like “Atlanta After Dark” and “Chicago Shine”) are set to roll out alongside performances, turning each show into both a concert and a beauty activation.
It’s a strategy that breaks the mold of traditional retail while feeding into the growing cultural hunger for experience-based commerce. You don’t just buy Not Beauty—you see it, wear it, and remember it through the soundtrack of a live show.
Cultural Relevance: Not Just Another Celebrity Brand
Launching a celebrity beauty brand in 2025 might seem like a cliché. The market is saturated. Audiences are skeptical. But SZA’s Not Beauty stands apart because it doesn’t pretend to be a brand built overnight or solely for commercial gain.
It’s an echo of her entire approach to fame—measured, rooted in feeling, and slow-cooked over years. This isn’t a splashy highlighter palette or a fragrance made to cash in on Q4. It’s lip gloss—simple, personal, tactile. It’s the kind of product people apply without a mirror, while driving or dancing or crying.
And in a world where beauty products are increasingly optimized for TikTok virality, Not Beauty brings back the notion of private glamour—of the way a certain shimmer can change your posture or your mood, even if no one else notices.
Beauty as a Vessel for Storytelling
Just as her songs contain layers of narrative and vulnerability, the branding around Not Beauty aims to tell a story in pieces. Future campaigns are rumored to include short films, directed by SZA herself, capturing moments of real women applying lip gloss in unexpected places—a laundromat, a greenhouse, a family dinner. No glam squads. No contour hacks. Just atmosphere and truth.
There’s talk, too, of an ambient visual album to accompany the first full Not Beauty line, currently in production. As she told Vogue, “I want people to see themselves in it. I want them to hear themselves in it. I want it to be more than just pigment. I want it to be a portal.”
What Comes Next?
Following the initial gloss drop, sources close to the brand say that Not Beauty is already testing lightweight skincare hybrids—lip masks, cheek glazes, and possibly even a “halo tint” balm designed for under-eyes and temples. But nothing is rushed.
“SZA doesn’t do fast,” one insider quipped. “She does real. She does what lingers.”
And that’s exactly what Not Beauty is poised to do—linger. Not just on lips, but in memory. In mirror moments. In the small rituals of everyday life.
A Gloss That Speaks Volumes
In a culture obsessed with big reveals and bolder claims, Not Beauty offers a refreshingly quiet revolution. Through a simple tube of gloss, SZA opens a conversation about self-definition, emotional intelligence, and slow beauty. She’s not pretending to be an expert. She’s not chasing virality. She’s just sharing something that works for her, something that feels good, something real.
And that might be the boldest beauty statement of all.
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