DRIFT

In a world saturated with heritage watchmaking, where classical designs and legacy mechanics dominate the conversation, Vanguart is cutting a bold, quiet path forward—one that looks more like a science fiction artifact than a wristwatch. Founded in 2017 and launched officially in 2021, this Swiss-based independent brand is not content with merely telling time. It bends time into sculpture, narrative, and vision. If traditional horology feels like a waltz through memory, Vanguart is a warp-speed jump into the unknown.

Its debut timepiece, the Black Hole Tourbillon, is not just a watch—it’s an event horizon for the eyes. Priced at CHF 320,000 and limited in production, it redefines what a wristwatch can be: kinetic, architectural, and conceptually bold. It’s a gravitational vortex of design and mechanical innovation—literally and metaphorically.

The Black Hole Tourbillon: A Cosmic Introduction

The Black Hole Tourbillon isn’t named lightly. At the center of this timepiece is a gravitational metaphor: concentric, sloping hour rings that appear to suck light and attention into their core. It is, in essence, a visual black hole—a place where the idea of time is both exalted and obliterated.

Rather than employing a traditional dial with hands, the Black Hole Tourbillon utilizes rotating hour and minute discs, sloped toward the middle of the case. These spinning rings converge at the center where a flying tourbillon rotates with mesmerizing elegance. The visual choreography is stunning: time doesn’t move outward; it spirals inward.

The case, as much a sculpture as it is a functional component, is crafted from ultra-lightweight titanium and shaped in flowing, organic curves. Its silhouette seems pulled from a Denis Villeneuve film—part Blade Runner, part Dune, wholly unorthodox. There are no lugs in the traditional sense. The watch floats on the wrist, more like a design object or futuristic talisman than a timekeeper. It’s the kind of device you’d expect to find in a hyperspace navigator’s kit, not a Swiss vault.

Philosophy: Object Over Accessory

What makes Vanguart more than just another high-concept indie watchmaker is its philosophical commitment to reshaping how we perceive horological devices. Founders Jérémy Gusdorf and Johan Storni didn’t just want to build beautiful watches—they wanted to sculpt time. Their work doesn’t look to the past, nor does it cater to nostalgia. It interrogates time’s place in our lives—our obsession with its passage, our desire to control it, and the way we wear it.

In an industry where branding often leans on history—family crests, royal commissions, vintage revivals—Vanguart feels distinctly post-narrative. The story isn’t about a lineage; it’s about possibility. It’s about what happens when design is untethered from expectation and freed to explore the form of time itself.

Engineering Meets Emotion

The complexity of Vanguart’s movements is matched only by the emotional punch they deliver. The Black Hole Tourbillon is powered by a hand-wound caliber entirely developed in-house, a feat that even legacy maisons sometimes outsource. The movement is constructed on multiple layers and angles, each contributing to the visual collapse toward the tourbillon’s core. Every component is hand-finished to perfection—beveled, polished, and decorated not to show off, but to serve the concept.

This is horology as emotional architecture. You don’t just wear a Vanguart watch—you are pulled into it. Like staring into a kinetic sculpture or watching ripples move across a still lake, the watch draws your gaze repeatedly, not because it’s telling you what time it is, but because it challenges you to rethink what time feels like.

Design Language: Otherworldly Intentions

While the Black Hole Tourbillon remains the brand’s flagship (and only) release to date, it signals a clear and coherent design language for what’s to come: a world where horological form takes precedence over legacy tropes, and where architecture, sculpture, and cinematic futurism inform every decision.

From a distance, the watch case evokes stealth aerospace design—a blend of organic symmetry and sharp, tactical angles. Up close, you see the soft transitions between surfaces, the way the light glides across matte and polished sections, the interplay between form and void. The materials are chosen for weightlessness and strength: titanium, sapphire, and ceramic components all serve to keep the focus on visual weight rather than physical heft.

The visual experience is three-dimensional—it asks the wearer to tilt, rotate, and view the watch from multiple angles to fully appreciate its sculptural ambition. It’s a piece that changes as you move—an object with kinetic presence.

Rarity and Relevance

With only a handful of pieces produced each year, Vanguart is not chasing volume or visibility. Its watches are not marketed through celebrity endorsements or flashy campaigns. Instead, they exist in the margins of the horological elite—sought after by collectors who value concept over brand clout, and who understand that innovation often speaks in whispers, not shouts.

That said, Vanguart is far from obscure. Its debut was covered extensively by watch media and respected for both its aesthetic integrity and mechanical ambition. Collectors recognize that the Black Hole Tourbillon isn’t just another skeletonized watch with a tourbillon in the middle—it’s a design manifesto, a speculative object grounded in Swiss precision.

In an age when luxury is increasingly about storytelling and authenticity, Vanguart’s approach is refreshingly minimal. There’s no backstory of a grandfather’s pocket watch or a master craftsman toiling in a medieval tower. There’s just the work: striking, inventive, and deeply modern.

The Future of Time

So what’s next for Vanguart? The brand has hinted at future releases that will expand on the themes of gravitation, perception, and kinetic form. New models are expected to continue the exploration of deep-space metaphors and dynamic time display mechanics, pushing the idea of the watch as an experiential object rather than a tool.

There are also plans to open up the design conversation—collaborations with industrial designers, architects, or even artists could take Vanguart into new aesthetic territories. Given the brand’s philosophical leanings, it’s likely future models will continue to challenge the binary of traditional vs. avant-garde and instead carve a new middle path: futuristic craftsmanship with emotional grounding.

Thoughts

In a horological landscape dominated by nostalgia and revival, Vanguart is an outlier—and proudly so. With the Black Hole Tourbillon, it has given form to a future of time that feels tactile, sculptural, and transcendent. It doesn’t mimic the past. It doesn’t chase trends. It builds on the idea that watches can be more—more than status symbols, more than historical references, more than mechanical marvels.

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