Kermit the Frog, Even — Alex Da Corte’s Monument
October 25, 2025
For Art Basel Paris 2025, American artist Alex Da Corte has installed an enormous green presence in the city’s most polished square. Kermit the Frog, Even — a 19.75-meter inflatable sculpture of the famous Muppet — droops across the airspace of Place Vendôme, its arms and head sinking toward the cobblestones below. Presented by Sadie Coles HQ, the work feels both comic and devastating: a soft monument to exhaustion in an age of endless performance.
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Da Corte’s sculpture takes Kermit’s familiar lament — “It’s not easy being green” — and stretches it into a metaphor for our times. Beneath humor of a giant Muppet slumped within the midst of Paris lies a study in weariness, alienation, and the effort of keeping cheerful when the air runs out. The artist has said the piece reflects “the façade dropping when the camera isn’t focused on you.” The green skin that once radiated optimism now folds in on itself, sagging like the weight of expectation.
The work draws on a 1991 Macy’s Thanksgiving Day Parade mishap, when a Kermit balloon tore open and deflated mid-parade. That accident, Da Corte suggests, revealed a hidden truth about spectacle — that joy and failure often share the same stage.
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Performers dressed as Kermit dance around the giant frog, lifting its limp arms and twirling through the crowd. Their smiles never falter, though the sculpture’s body sags visibly through the day. “Their only task,” Da Corte told Art Basel, “is to keep smiling and keep it moving.” The line captures the performance economy of modern life — a choreography of composure masking quiet panic.
At Place Vendôme, a plaza synonymous with wealth and symmetry, the deflated frog reads like a protest against perfection. Da Corte replaces the hard surfaces of art-world confidence with something porous and human.
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Kermit the Frog, Even is both monumental and intimate, skittish and sad. Its inflatable body, kept aloft by constant air flow, literalizes the effort required to sustain joy. As the Paris sun sets, Kermit’s green folds catch gold light, shimmering between absurdity and grace.
In this moment, Da Corte transforms a cartoon into a mirror. His frog is not a failure, but a reflection — a reminder that sometimes the truest art lies not in standing tall, but in learning how to keep breathing when everything begins to fall.
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