Charlotte Plank has never been one to follow the formula. Since first making noise with her genre-bending EP In the Front Seat of Chaos, the London-based singer-songwriter and producer has built a reputation as a boundary-pusher within the UK’s underground pop, jungle, and breakbeat scenes. But with her latest single, ‘candy stores’, Plank delivers something deceptively bright—a euphoric alt-pop track that sparkles on the surface while digging deep beneath.

Released in April 2025, ‘candy stores’ is a triumph of contradiction. Sugar-rush sonics meet emotional honesty. The visual stylings echo early 2000s maximalism, yet the lyrics speak directly to Gen Z’s fractured sense of reality. It’s catchy and complex, nostalgic and futuristic. In short, it’s a Charlotte Plank song—refusing easy categorization, demanding repeat listens, and signaling a bold new chapter for one of Britain’s most exciting pop experimentalists.

The Sound: Jungle-Infused Joy and Alt-Pop Tension

From its opening moments, ‘candy stores’ hits like a burst of fizzy soda-pop and serotonin. Layered with breakbeat drums and a bouncy bassline, the song opens with pitched-up vocal snippets and warped chimes that immediately evoke a Y2K bubblegum world—think early PC Music, but warmer and more grounded. As Plank’s vocals enter, rich with her signature husk, she delivers lines that feel sweet and sad all at once:

“Used to fake smiles for the taste of attention /

Now I’m buying freedom from the back of the shelf.”

Produced in collaboration with rising UK producer Finchley Slim, the track leans into jungle and UK garage DNA without being confined to it. The beat shuffles with urgency, but the melodic top-line remains airy, even whimsical. Where other artists might weaponize nostalgia purely for effect, Plank weaponizes feeling. Every synth squeal and breakbeat snap is purposeful—there’s adrenaline, but also reflection.

The chorus is both infectious and unruly:

“Candy stores and dopamine /

Fake friends on a movie screen /

Keep my love in a vending machine /

Don’t want it too sweet, just bittersweet.”

It’s a mantra for an overstimulated generation—dancing through heartbreak, wired on TikTok discourse, craving affection in an era of overstimulation and under-connection.

The Lyrics: Intimacy in Hypercolor

Though ‘candy stores’ feels sonically bright, the lyrics reveal a more nuanced tension. Plank uses sweetness as a metaphor for emotional commodification, flipping a classic pop trope into commentary on digital-age loneliness, fleeting pleasure, and burnout.

In the second verse, she sings:

“Got a coupon heart, it’s half off now /

Lost the barcode when I left that town.”

These lines are cheeky, but also cutting—imbued with a sense of commodified emotion and self-awareness. Plank continues a tradition of British female artists—Lily Allen, Charli XCX, PinkPantheress—who embed sharp cultural critique into glitzy sonic palettes. The effect is striking: you’re nodding your head while wincing at the truth.

Visuals: Candyland Dystopia

The accompanying visualizer and teaser clips for ‘candy stores’ dive even deeper into Plank’s pop-meets-performance-art aesthetic. Shot in what she calls “a deranged Candyland inspired by inflation-core,” the visuals feature Plank roaming a pastel-colored shopping mall where price tags are digital, products glitch, and mannequins cry. Think Sofia Coppola’s Marie Antoinette meets hyperpop mall-goth.

Plank sports a DIY wardrobe that nods to Harajuku streetwear, thrifted rave gear, and early Avril Lavigne rebellion. But rather than just referencing Y2K style, she reimagines it through a critical lens—using sugary imagery to underscore the artifice of desire.

“I wanted the video to feel like being stuck inside an Instagram filter with no exit,” she explained in a recent interview. “We’re sold happiness like it’s a snack. But I want to know what happens after the sugar crash.”

Context: The Scene Plank Grew From

Plank’s ability to fuse disparate influences stems from her background in London’s DIY circuit, where she cut her teeth at warehouse shows and community radio sets. Her early collaborators include drum & bass upstarts and punk vocalists, many of whom helped shape the sound of her early releases.

Alongside contemporaries like Nia Archives, Piri, and Biig Piig, she’s part of a new wave of UK alt-pop artists reclaiming rave culture not just as a musical template, but as a storytelling device. Where previous generations wore their heartbreak over acoustic guitars, Plank packages hers in jungle rhythms and bubblegum synths.

What sets her apart, however, is her commitment to storytelling without irony. Even in a track as stylized as ‘candy stores,’ she allows sincerity to shine through.

Reception and Cultural Impression

Since its release, ‘candy stores’ has received praise from both fans and critics. NME dubbed it “a glitchy, euphoric rebellion against emotional capitalism,” while DIY Magazine called it “the perfect soundtrack for coming of age in the algorithm.”

On TikTok, the chorus has already gone viral, soundtracking outfit reveals and POV clips that echo the track’s themes of hyper-reality and loneliness. Meanwhile, fan accounts have started creating remixes and mashups, placing ‘candy stores’ alongside artists like SOPHIE, Grimes, and Shygirl.

Plank herself has remained refreshingly low-key about the single’s viral success. “If it resonates, that’s amazing,” she said in an Instagram Live. “But I made it because I felt like I was coming undone in a candy aisle. I didn’t know how else to say it.”

Beyond the Sugar Rush: What’s Next for Charlotte Plank?

With ‘candy stores’, Plank has delivered more than a banger—she’s delivered a cultural snapshot. It captures the fatigue and beauty of being a young person in a world of curated identities and dopamine metrics. And it hints at an even bigger project on the horizon.

Rumors are swirling about a full-length album arriving in late 2025, reportedly titled Plastic Skies & Sugary Lies. If ‘candy stores’ is any indication, the LP will continue to explore the intersection of late-stage capitalism, identity, and emotional resilience—all through a pop lens that prioritizes truth over trend.

Fans can also expect a series of intimate UK dates this summer, including stops in Bristol, Brighton, and London, where Plank plans to perform with a full live band for the first time—adding analogue grit to her digital gloss.

“Pop” That Pushes Back

‘candy stores’ isn’t just a song—it’s an experience, a manifesto, a mirror. Charlotte Plank continues to carve out a space in music that celebrates the sweetness of pop while exposing the cavities it leaves behind.

She makes music for the overstimulated and the overthinking. For the kids who know every filter but crave real emotion. For those who dance to forget, but also to remember.

With ‘candy stores,’ Charlotte Plank doesn’t just break the mold—she melts it into something entirely her own.

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