The adidas Superstar II: A Timeless Icon that Continues to Shape Sneaker Culture
March 24, 2025
The adidas Superstar, a legendary design that has graced both professional sports leagues and the feet of cultural icons for over five decades, returns to Foot Locker shelves in its latest iteration, the Superstar II.
Originally launched in 1969, the hard-wearing rubber ‘shell’ toe, herringbone sole, and deluxe leather construction of the Superstar made it an instant classic that dominated NBA courts well into the 1970s.
However, the story of the Superstar doesn’t end there. Its adaptability and undeniable style have allowed it to become the first true ‘multi-hyphenate’ sneaker. The Superstar has evolved with each prominent youth subculture since its inception, demonstrating an impressive ability to remain relevant through the years.
From its early days in the nascent boom-bap era of rap to its presence in the golden reign of Missy Elliott and the Beastie Boys, the Superstar has been a constant in the music scene. It has even appeared on the Y-3 catwalk during Paris Fashion Week, exemplifying its unique blend of streetwear appeal and high fashion sensibility.
The Superstar has not only been an essential part of the music industry but has also made waves in skateboarding culture, as it was once voted ‘one of the best skate shoes of all time.’ It’s this versatility that has solidified the Superstar’s place in sneaker history.
The Superstar’s cultural relevance is further enhanced by high-profile connections with renowned artists, designers, and brands such as Pharrell Williams, BAPE, Star Wars, Lego, Prada, and AVAVAV. These partnerships have ensured the ‘Shell’s’ status as an iconic piece of footwear that continues to influence sneaker culture to this day.
The adidas Superstar II is a testament to the timeless design and cultural impression of the original Superstar. Its presence on Foot Locker shelves not only celebrates its rich history but also highlights its continued significance in shaping contemporary shoe culture.
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