Along the Adriatic shores of Himarë, Albania—a region steeped in ancient history and characterized by rugged cliffs and crystalline waters—architecture meets topography in showcased negotiation between modernity and place. ZigZag Resort, the partnering hbrainchild of JA Joubert Architecture and UNS Architects, is not merely a coastal getaway but a case study in how spatial design can exist in sensitive harmony with the environment. Defined by its signature serpentine configuration that unfurls along the natural contours of the terrain, the project presents an architectural ethos where form does not override nature, but rather listens, adapts, and ultimately becomes part of it.
A Geometry of Respect
At the heart of the resort’s identity lies its zigzagging linear form—a gesture that is at once aesthetic and ecological. Rather than bulldozing the landscape to enforce a preconceived geometry, the architects allowed the terrain to dictate the rhythm of the development. This topography-responsive planning results in a coherent series of connected units, each one stepping along the gradient, preserving unobstructed sea views for its occupants while ensuring minimal interference with the surrounding environment.
Such a form is not a novelty but a refinement of vernacular strategies historically used in hillside settlements, where cascading built forms ensured equitable access to light and air. Here, the architects update that principle with a modular repetition that feels modern but deeply rooted in site specificity. Each segment of the zigzag acts as a spatial unit, a vessel that opens itself to the seascape while maintaining a respectful distance from its neighbors, fostering privacy without disconnection.
Ecological Embeddedness
In the context of an era facing climate volatility and ecological fragility, ZigZag Resort goes beyond visual integration. It embeds itself functionally into the ecological matrix of the site. The orientation of the structures is calibrated to maximize passive solar gain during colder months and reduce overheating in summer, a passive strategy that minimizes reliance on artificial heating and cooling systems.
Natural cross-ventilation—enabled by carefully positioned openings aligned with coastal wind flows—further reduces the mechanical energy load. These are not ornamental green strategies; they form the backbone of a design philosophy centered on low-impact hospitality. Rainwater collection systems are discretely incorporated into the design, channeling runoff toward vegetation zones and graywater infrastructure, reinforcing on-site sustainability.
This ecological awareness extends to material selection. ZigZag Resort utilizes locally quarried Berat stone, a material revered for its historic presence in Albanian construction and prized for its enduring resilience. Beyond structural value, its use communicates a narrative continuity between the built environment and its cultural lineage. The stone’s warm, earthy hues resonate with the coastal palette, anchoring the resort visually into the terrain.
Material Honesty and Textural Language
JA Joubert and UNS’s architectural approach is steeped in what can be described as material honesty. Berat stone dominates the tactile experience—rough-hewn yet precise—its rawness juxtaposed with clean lines and minimal detailing. Concrete is used sparingly and left exposed where structurally necessary, offering a modern counterpoint to the historicity of stone without undermining it.
Interior finishes continue this dialectic between tradition and minimalism. Smooth wooden elements, sourced from nearby forests, offer warmth and a sense of enclosure within the linear volumes. Glass, deployed in large sliding panes, blurs the boundary between interior and exterior, allowing guests to inhabit both the shelter and the landscape simultaneously.
The overall result is a choreography of textures: the grit of the stone, the gloss of water, the matte grain of timber, and the crystalline transparency of glass. These materials do not compete; they converse, forming a tactile palette that reflects the shifting moods of the surrounding seascape.
Spatial Sequencing and Human Experience
Despite its emphasis on environmental responsibility and material restraint, ZigZag Resort never neglects the emotive dimension of space. Each unit is designed as a spatial narrative, unfolding from shaded entryways into open living quarters that spill onto terraces. These terraces function not just as leisure spaces but as thresholds between seclusion and exposure, allowing for a fluid negotiation between retreat and spectacle.
Circulation through the resort mimics a promenade, with pathways embedded in vegetation and aligned with the building geometry, guiding guests in a serpentine flow that echoes the architectural rhythm. Rather than isolating the visitor, this movement fosters a collective intimacy, a reminder that individual experiences are part of a broader topographic and social choreography.
Reframing Luxury in Architectural Terms
ZigZag Resort, while aesthetically compelling, challenges conventional definitions of luxury. Here, opulence is not tied to ornamental excess or imported materials, but to space, silence, view, and elemental connection. In doing so, the project aligns with a growing architectural movement that privileges environmental intelligence and cultural authenticity over spectacle.
In a global market saturated with architectural pastiche and generic luxury developments, the resort offers an alternative—a recalibration of luxury through locality and restraint. It offers the kind of experience where luxury is waking up to the filtered sun refracting over stone, where comfort arises from thermally modulated air rather than mechanical conditioning, and where privacy is achieved not by isolation, but by thoughtful geometry.
A Coastal Future Rooted in the Past
The relevance of ZigZag Resort extends far beyond the borders of Himarë. It serves as a model of responsive coastal development in an age when shorelines across the Mediterranean and Adriatic are under increasing pressure from mass tourism and aggressive real estate speculation. The collaboration between JA Joubert Architecture and UNS Architects exemplifies how multidisciplinary partnerships can yield intelligent, context-sensitive design that eschews the formulaic.
By prioritizing site specificity, environmental ethics, and material continuity, the resort not only preserves the integrity of the land—it amplifies it. It demonstrates that architecture, when practiced with humility and imagination, can enhance rather than eclipse the landscapes it occupies.
Ideologue
ZigZag Resort is more than a name—it is a spatial philosophy, a way of thinking about architecture as both responsive line and living surface. Through its zigzagging geometry, passive environmental tactics, and use of local stone, it constructs a narrative that binds human habitation with natural rhythm. It asks us to consider that building in beautiful places does not have to mean building over them. Instead, it suggests that architecture, like the coastline itself, can curve, adapt, and ultimately belong.
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